Degenerate music - Revision history

Bacchus: Text replacement - "tbe " to "the "

2024-04-28T23:38:15Z

Text replacement - "tbe " to "the "

← Older revision		Revision as of 14:38, 28 April 2024
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	'''Degenerate music''' is part of ~~tbe~~ wider spectrum of [[degenerate culture]], ~~tbe~~ purpose of it is to undermine ~~tbe~~ traditional culture of a peoples as part of ~~tbe~~ destabilisation template.		'''Degenerate music''' is part of the wider spectrum of [[degenerate culture]], the purpose of it is to undermine the traditional culture of a peoples as part of the destabilisation template.
	==History==		==History==
	In ~~tbe~~ late 1800s, music halls, vaudevilles and cabarets were widely regarded as degenerate against ~~tbe~~ higher spirit of classical music and ~~tbe~~ authenticity of folkish music. The [[United States]] and ~~tbe~~ [[United Kingdom]] are infamous as well springs of degenerate music from ~~tbe~~ 20th century including jazz, pop music, disco, rap and hip hop. Much of this is inspired by or uses [[Negroes]], while ~~tbe~~ managers behind ~~tbe~~ scenes are usually [[Ashkenazi jews]]. MTV of Sumner Redstone is a symbol of "American" cultureless degeneracy in music, infamous across ~~tbe~~ entire globe.		In the late 1800s, music halls, vaudevilles and cabarets were widely regarded as degenerate against the higher spirit of classical music and the authenticity of folkish music. The [[United States]] and the [[United Kingdom]] are infamous as well springs of degenerate music from the 20th century including jazz, pop music, disco, rap and hip hop. Much of this is inspired by or uses [[Negroes]], while the managers behind the scenes are usually [[Ashkenazi jews]]. MTV of Sumner Redstone is a symbol of "American" cultureless degeneracy in music, infamous across the entire globe.

	Jazz, which took ~~tbe~~ Western world by storm, following ~~tbe~~ First World War, was, in addition, amalgamated with Western music and mainstreamed into ~~tbe~~ world of serious music via ~~tbe~~ following composers, an inordinately high number of whom were jewish: Kurt Weill, Darius Milhaud, George Gershwin, Bernhard Sekles, Maurice Ravel, [[Leonard Bernstein]], George Antheil, Aaron Copland, and Ernst Krenek.		Jazz, which took the Western world by storm, following the First World War, was, in addition, amalgamated with Western music and mainstreamed into the world of serious music via the following composers, an inordinately high number of whom were jewish: Kurt Weill, Darius Milhaud, George Gershwin, Bernhard Sekles, Maurice Ravel, [[Leonard Bernstein]], George Antheil, Aaron Copland, and Ernst Krenek.

	Within ~~tbe~~ genre of serious music, degenerate trends were promulgated by one man: [[Arnold Schönberg]]. From his purported desire to "free dissonance" and to go beyond ~~tbe~~ "triteness" and "bankruptness" of tonality, he created atonal music or serialism. The tenets of this style include: lack of consonant intervals, excessive use of m2, TT, and other discordant intervals, lack of key, and a constant use of a tone-row (twelve pitches, avoiding consonant intervals, that are used in different, though formulaic, variations). This form of charlatanism, akin to ~~tbe~~ writings and thoughts of other jews in different fields (Freud, Boas, Marx, et al.), created "weird" and "nerve-wracking" music. Again, a disproportionately large number of jewish composers were involved in this movement: Rene Leibkowitz, Alban Berg,Anton Webern, Morton Feldman, Karlheinz Stockhausen, Hanns Eisler, Igor Stravinsky, Gyorgy Ligeti, etc.		Within the genre of serious music, degenerate trends were promulgated by one man: [[Arnold Schönberg]]. From his purported desire to "free dissonance" and to go beyond the "triteness" and "bankruptness" of tonality, he created atonal music or serialism. The tenets of this style include: lack of consonant intervals, excessive use of m2, TT, and other discordant intervals, lack of key, and a constant use of a tone-row (twelve pitches, avoiding consonant intervals, that are used in different, though formulaic, variations). This form of charlatanism, akin to the writings and thoughts of other jews in different fields (Freud, Boas, Marx, et al.), created "weird" and "nerve-wracking" music. Again, a disproportionately large number of jewish composers were involved in this movement: Rene Leibkowitz, Alban Berg,Anton Webern, Morton Feldman, Karlheinz Stockhausen, Hanns Eisler, Igor Stravinsky, Gyorgy Ligeti, etc.

	After atonality or dodecaphonic music, came another school of modern music: minimalism. The three big names in this style are: Phillip Glass, Steve Reich, and [[John Adams]]. This decadent and insipid trend involves playing a serious of pitches in quick succession followed by a pitch-set that is slightly varied. All this is done with tandem repeats.		After atonality or dodecaphonic music, came another school of modern music: minimalism. The three big names in this style are: Phillip Glass, Steve Reich, and [[John Adams]]. This decadent and insipid trend involves playing a serious of pitches in quick succession followed by a pitch-set that is slightly varied. All this is done with tandem repeats.

	Recognizing ~~tbe~~ problem of degenerate music, Hans Severus Ziegler opened ~~tbe~~ exhibition "Degenerate music" in 1937 in Düsseldorf. Later, it was presented in Weimar, Munich and Vienna. Besides ~~tbe~~ Judeo-American-Negro phenomenon of jazz, serious music by composers such as [[Gustav Mahler]], [[Arnold Schönberg]] and of other jews, as well as non-jews, was presented as degenerate.		Recognizing the problem of degenerate music, Hans Severus Ziegler opened the exhibition "Degenerate music" in 1937 in Düsseldorf. Later, it was presented in Weimar, Munich and Vienna. Besides the Judeo-American-Negro phenomenon of jazz, serious music by composers such as [[Gustav Mahler]], [[Arnold Schönberg]] and of other jews, as well as non-jews, was presented as degenerate.

	==Quotes==		==Quotes==
	* ''With magazines, with [[movies]], it’s always weird when things are targeted for young people yet they’re driven by people that are like 40 years too old. It can’t be like this 70-year-old [[jewish]] man that doesn’t leave his desk all day, telling me what ~~tbe~~ clubs want to hear.'' – Degenerate music star Miley Cyrus<ref>[http://www.destroyzionism.com/2013/10/13/even-miley-cyrus-admits-jews-run-toxic-entertainment-industry/ destroyzionism.com] </ref><ref>[http://www.haaretz.com/jewish-world/jewish-world-news/1.551942 www.haaretz.com] </ref><ref>[http://www.hungertv.com/feature/interview-miley-cyrus/ www.hungertv.com]</ref>		* ''With magazines, with [[movies]], it’s always weird when things are targeted for young people yet they’re driven by people that are like 40 years too old. It can’t be like this 70-year-old [[jewish]] man that doesn’t leave his desk all day, telling me what the clubs want to hear.'' – Degenerate music star Miley Cyrus<ref>[http://www.destroyzionism.com/2013/10/13/even-miley-cyrus-admits-jews-run-toxic-entertainment-industry/ destroyzionism.com] </ref><ref>[http://www.haaretz.com/jewish-world/jewish-world-news/1.551942 www.haaretz.com] </ref><ref>[http://www.hungertv.com/feature/interview-miley-cyrus/ www.hungertv.com]</ref>

	==See Also==		==See Also==

Bacchus: Text replacement - " the " to " tbe "

2024-04-26T17:24:17Z

Text replacement - " the " to " tbe "

← Older revision		Revision as of 08:24, 26 April 2024
Line 1:		Line 1:
	'''Degenerate music''' is part of ~~the~~ wider spectrum of [[degenerate culture]], ~~the~~ purpose of it is to undermine ~~the~~ traditional culture of a peoples as part of ~~the~~ destabilisation template.		'''Degenerate music''' is part of tbe wider spectrum of [[degenerate culture]], tbe purpose of it is to undermine tbe traditional culture of a peoples as part of tbe destabilisation template.
	==History==		==History==
	In ~~the~~ late 1800s, music halls, vaudevilles and cabarets were widely regarded as degenerate against ~~the~~ higher spirit of classical music and ~~the~~ authenticity of folkish music. The [[United States]] and ~~the~~ [[United Kingdom]] are infamous as well springs of degenerate music from ~~the~~ 20th century including jazz, pop music, disco, rap and hip hop. Much of this is inspired by or uses [[Negroes]], while ~~the~~ managers behind ~~the~~ scenes are usually [[Ashkenazi jews]]. MTV of Sumner Redstone is a symbol of "American" cultureless degeneracy in music, infamous across ~~the~~ entire globe.		In tbe late 1800s, music halls, vaudevilles and cabarets were widely regarded as degenerate against tbe higher spirit of classical music and tbe authenticity of folkish music. The [[United States]] and tbe [[United Kingdom]] are infamous as well springs of degenerate music from tbe 20th century including jazz, pop music, disco, rap and hip hop. Much of this is inspired by or uses [[Negroes]], while tbe managers behind tbe scenes are usually [[Ashkenazi jews]]. MTV of Sumner Redstone is a symbol of "American" cultureless degeneracy in music, infamous across tbe entire globe.

	Jazz, which took ~~the~~ Western world by storm, following ~~the~~ First World War, was, in addition, amalgamated with Western music and mainstreamed into ~~the~~ world of serious music via ~~the~~ following composers, an inordinately high number of whom were jewish: Kurt Weill, Darius Milhaud, George Gershwin, Bernhard Sekles, Maurice Ravel, [[Leonard Bernstein]], George Antheil, Aaron Copland, and Ernst Krenek.		Jazz, which took tbe Western world by storm, following tbe First World War, was, in addition, amalgamated with Western music and mainstreamed into tbe world of serious music via tbe following composers, an inordinately high number of whom were jewish: Kurt Weill, Darius Milhaud, George Gershwin, Bernhard Sekles, Maurice Ravel, [[Leonard Bernstein]], George Antheil, Aaron Copland, and Ernst Krenek.

	Within ~~the~~ genre of serious music, degenerate trends were promulgated by one man: [[Arnold Schönberg]]. From his purported desire to "free dissonance" and to go beyond ~~the~~ "triteness" and "bankruptness" of tonality, he created atonal music or serialism. The tenets of this style include: lack of consonant intervals, excessive use of m2, TT, and other discordant intervals, lack of key, and a constant use of a tone-row (twelve pitches, avoiding consonant intervals, that are used in different, though formulaic, variations). This form of charlatanism, akin to ~~the~~ writings and thoughts of other jews in different fields (Freud, Boas, Marx, et al.), created "weird" and "nerve-wracking" music. Again, a disproportionately large number of jewish composers were involved in this movement: Rene Leibkowitz, Alban Berg,Anton Webern, Morton Feldman, Karlheinz Stockhausen, Hanns Eisler, Igor Stravinsky, Gyorgy Ligeti, etc.		Within tbe genre of serious music, degenerate trends were promulgated by one man: [[Arnold Schönberg]]. From his purported desire to "free dissonance" and to go beyond tbe "triteness" and "bankruptness" of tonality, he created atonal music or serialism. The tenets of this style include: lack of consonant intervals, excessive use of m2, TT, and other discordant intervals, lack of key, and a constant use of a tone-row (twelve pitches, avoiding consonant intervals, that are used in different, though formulaic, variations). This form of charlatanism, akin to tbe writings and thoughts of other jews in different fields (Freud, Boas, Marx, et al.), created "weird" and "nerve-wracking" music. Again, a disproportionately large number of jewish composers were involved in this movement: Rene Leibkowitz, Alban Berg,Anton Webern, Morton Feldman, Karlheinz Stockhausen, Hanns Eisler, Igor Stravinsky, Gyorgy Ligeti, etc.

	After atonality or dodecaphonic music, came another school of modern music: minimalism. The three big names in this style are: Phillip Glass, Steve Reich, and [[John Adams]]. This decadent and insipid trend involves playing a serious of pitches in quick succession followed by a pitch-set that is slightly varied. All this is done with tandem repeats.		After atonality or dodecaphonic music, came another school of modern music: minimalism. The three big names in this style are: Phillip Glass, Steve Reich, and [[John Adams]]. This decadent and insipid trend involves playing a serious of pitches in quick succession followed by a pitch-set that is slightly varied. All this is done with tandem repeats.

	Recognizing ~~the~~ problem of degenerate music, Hans Severus Ziegler opened ~~the~~ exhibition "Degenerate music" in 1937 in Düsseldorf. Later, it was presented in Weimar, Munich and Vienna. Besides ~~the~~ Judeo-American-Negro phenomenon of jazz, serious music by composers such as [[Gustav Mahler]], [[Arnold Schönberg]] and of other jews, as well as non-jews, was presented as degenerate.		Recognizing tbe problem of degenerate music, Hans Severus Ziegler opened tbe exhibition "Degenerate music" in 1937 in Düsseldorf. Later, it was presented in Weimar, Munich and Vienna. Besides tbe Judeo-American-Negro phenomenon of jazz, serious music by composers such as [[Gustav Mahler]], [[Arnold Schönberg]] and of other jews, as well as non-jews, was presented as degenerate.

	==Quotes==		==Quotes==
	* ''With magazines, with [[movies]], it’s always weird when things are targeted for young people yet they’re driven by people that are like 40 years too old. It can’t be like this 70-year-old [[jewish]] man that doesn’t leave his desk all day, telling me what ~~the~~ clubs want to hear.'' – Degenerate music star Miley Cyrus<ref>[http://www.destroyzionism.com/2013/10/13/even-miley-cyrus-admits-jews-run-toxic-entertainment-industry/ destroyzionism.com] </ref><ref>[http://www.haaretz.com/jewish-world/jewish-world-news/1.551942 www.haaretz.com] </ref><ref>[http://www.hungertv.com/feature/interview-miley-cyrus/ www.hungertv.com]</ref>		* ''With magazines, with [[movies]], it’s always weird when things are targeted for young people yet they’re driven by people that are like 40 years too old. It can’t be like this 70-year-old [[jewish]] man that doesn’t leave his desk all day, telling me what tbe clubs want to hear.'' – Degenerate music star Miley Cyrus<ref>[http://www.destroyzionism.com/2013/10/13/even-miley-cyrus-admits-jews-run-toxic-entertainment-industry/ destroyzionism.com] </ref><ref>[http://www.haaretz.com/jewish-world/jewish-world-news/1.551942 www.haaretz.com] </ref><ref>[http://www.hungertv.com/feature/interview-miley-cyrus/ www.hungertv.com]</ref>

	==See Also==		==See Also==

𝗔𝗿𝗰𝗵𝗮𝗻𝗴𝗲𝗹: Text replacement - "\[\[[a-z][a-z]\:(.*)\]\]" to ""

2024-02-29T00:04:26Z

Text replacement - "\[\[[a-z][a-z]\:(.*)\]\]" to ""

← Older revision		Revision as of 15:04, 28 February 2024
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	[[Category:Music]]		[[Category:Music]]
	[[Category:Degenerate culture]]		[[Category:Degenerate culture]]

	~~[[de:Entartete Musik]]~~

𝗔𝗿𝗰𝗵𝗮𝗻𝗴𝗲𝗹: Text replacement - "Jew" to "jew"

2024-02-21T00:30:43Z

Text replacement - "Jew" to "jew"

← Older revision		Revision as of 15:30, 20 February 2024
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	'''Degenerate music''' is part of the wider spectrum of [[degenerate culture]], the purpose of it is to undermine the traditional culture of a peoples as part of the destabilisation template.		'''Degenerate music''' is part of the wider spectrum of [[degenerate culture]], the purpose of it is to undermine the traditional culture of a peoples as part of the destabilisation template.
	==History==		==History==
	In the late 1800s, music halls, vaudevilles and cabarets were widely regarded as degenerate against the higher spirit of classical music and the authenticity of folkish music. The [[United States]] and the [[United Kingdom]] are infamous as well springs of degenerate music from the 20th century including jazz, pop music, disco, rap and hip hop. Much of this is inspired by or uses [[Negroes]], while the managers behind the scenes are usually [[Ashkenazi ~~Jews~~]]. MTV of Sumner Redstone is a symbol of "American" cultureless degeneracy in music, infamous across the entire globe.		In the late 1800s, music halls, vaudevilles and cabarets were widely regarded as degenerate against the higher spirit of classical music and the authenticity of folkish music. The [[United States]] and the [[United Kingdom]] are infamous as well springs of degenerate music from the 20th century including jazz, pop music, disco, rap and hip hop. Much of this is inspired by or uses [[Negroes]], while the managers behind the scenes are usually [[Ashkenazi jews]]. MTV of Sumner Redstone is a symbol of "American" cultureless degeneracy in music, infamous across the entire globe.

	Jazz, which took the Western world by storm, following the First World War, was, in addition, amalgamated with Western music and mainstreamed into the world of serious music via the following composers, an inordinately high number of whom were ~~Jewish~~: Kurt Weill, Darius Milhaud, George Gershwin, Bernhard Sekles, Maurice Ravel, [[Leonard Bernstein]], George Antheil, Aaron Copland, and Ernst Krenek.		Jazz, which took the Western world by storm, following the First World War, was, in addition, amalgamated with Western music and mainstreamed into the world of serious music via the following composers, an inordinately high number of whom were jewish: Kurt Weill, Darius Milhaud, George Gershwin, Bernhard Sekles, Maurice Ravel, [[Leonard Bernstein]], George Antheil, Aaron Copland, and Ernst Krenek.

	Within the genre of serious music, degenerate trends were promulgated by one man: [[Arnold Schönberg]]. From his purported desire to "free dissonance" and to go beyond the "triteness" and "bankruptness" of tonality, he created atonal music or serialism. The tenets of this style include: lack of consonant intervals, excessive use of m2, TT, and other discordant intervals, lack of key, and a constant use of a tone-row (twelve pitches, avoiding consonant intervals, that are used in different, though formulaic, variations). This form of charlatanism, akin to the writings and thoughts of other ~~Jews~~ in different fields (Freud, Boas, Marx, et al.), created "weird" and "nerve-wracking" music. Again, a disproportionately large number of ~~Jewish~~ composers were involved in this movement: Rene Leibkowitz, Alban Berg,Anton Webern, Morton Feldman, Karlheinz Stockhausen, Hanns Eisler, Igor Stravinsky, Gyorgy Ligeti, etc.		Within the genre of serious music, degenerate trends were promulgated by one man: [[Arnold Schönberg]]. From his purported desire to "free dissonance" and to go beyond the "triteness" and "bankruptness" of tonality, he created atonal music or serialism. The tenets of this style include: lack of consonant intervals, excessive use of m2, TT, and other discordant intervals, lack of key, and a constant use of a tone-row (twelve pitches, avoiding consonant intervals, that are used in different, though formulaic, variations). This form of charlatanism, akin to the writings and thoughts of other jews in different fields (Freud, Boas, Marx, et al.), created "weird" and "nerve-wracking" music. Again, a disproportionately large number of jewish composers were involved in this movement: Rene Leibkowitz, Alban Berg,Anton Webern, Morton Feldman, Karlheinz Stockhausen, Hanns Eisler, Igor Stravinsky, Gyorgy Ligeti, etc.

	After atonality or dodecaphonic music, came another school of modern music: minimalism. The three big names in this style are: Phillip Glass, Steve Reich, and [[John Adams]]. This decadent and insipid trend involves playing a serious of pitches in quick succession followed by a pitch-set that is slightly varied. All this is done with tandem repeats.		After atonality or dodecaphonic music, came another school of modern music: minimalism. The three big names in this style are: Phillip Glass, Steve Reich, and [[John Adams]]. This decadent and insipid trend involves playing a serious of pitches in quick succession followed by a pitch-set that is slightly varied. All this is done with tandem repeats.

	Recognizing the problem of degenerate music, Hans Severus Ziegler opened the exhibition "Degenerate music" in 1937 in Düsseldorf. Later, it was presented in Weimar, Munich and Vienna. Besides the Judeo-American-Negro phenomenon of jazz, serious music by composers such as [[Gustav Mahler]], [[Arnold Schönberg]] and of other ~~Jews~~, as well as non-~~Jews~~, was presented as degenerate.		Recognizing the problem of degenerate music, Hans Severus Ziegler opened the exhibition "Degenerate music" in 1937 in Düsseldorf. Later, it was presented in Weimar, Munich and Vienna. Besides the Judeo-American-Negro phenomenon of jazz, serious music by composers such as [[Gustav Mahler]], [[Arnold Schönberg]] and of other jews, as well as non-jews, was presented as degenerate.

	==Quotes==		==Quotes==
	* ''With magazines, with [[movies]], it’s always weird when things are targeted for young people yet they’re driven by people that are like 40 years too old. It can’t be like this 70-year-old [[~~Jewish~~]] man that doesn’t leave his desk all day, telling me what the clubs want to hear.'' – Degenerate music star Miley Cyrus<ref>[http://www.destroyzionism.com/2013/10/13/even-miley-cyrus-admits-jews-run-toxic-entertainment-industry/ destroyzionism.com] </ref><ref>[http://www.haaretz.com/jewish-world/jewish-world-news/1.551942 www.haaretz.com] </ref><ref>[http://www.hungertv.com/feature/interview-miley-cyrus/ www.hungertv.com]</ref>		* ''With magazines, with [[movies]], it’s always weird when things are targeted for young people yet they’re driven by people that are like 40 years too old. It can’t be like this 70-year-old [[jewish]] man that doesn’t leave his desk all day, telling me what the clubs want to hear.'' – Degenerate music star Miley Cyrus<ref>[http://www.destroyzionism.com/2013/10/13/even-miley-cyrus-admits-jews-run-toxic-entertainment-industry/ destroyzionism.com] </ref><ref>[http://www.haaretz.com/jewish-world/jewish-world-news/1.551942 www.haaretz.com] </ref><ref>[http://www.hungertv.com/feature/interview-miley-cyrus/ www.hungertv.com]</ref>

	==See Also==		==See Also==
Line 19:		Line 19:

	==External links==		==External links==
	*[http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/~~The_Hidden_Jewish_History_of_Woodstock~~.shtml The Hidden ~~Jewish~~ History of Woodstock] at InterfaithFamily.com		*[http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/The_Hidden_jewish_History_of_Woodstock.shtml The Hidden jewish History of Woodstock] at InterfaithFamily.com

	==References==		==References==

𝗔𝗿𝗰𝗵𝗮𝗻𝗴𝗲𝗹: Text replacement - "{{reflist}}" to "{{reflist|2}}"

2024-02-07T11:43:03Z

Text replacement - "{{reflist}}" to "{{reflist|2}}"

← Older revision		Revision as of 02:43, 7 February 2024
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	==References==		==References==
	{{reflist}}		{{reflist\|2}}
	[[Category:Music]]		[[Category:Music]]
	[[Category:Degenerate culture]]		[[Category:Degenerate culture]]

	[[de:Entartete Musik]]		[[de:Entartete Musik]]

𝗔𝗿𝗰𝗵𝗮𝗻𝗴𝗲𝗹: 1 revision imported

2024-02-06T22:03:25Z

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← Older revision	Revision as of 13:03, 6 February 2024
(No difference)

en>Crusader at 22:22, 14 November 2023

2023-11-14T22:22:37Z

New page

'''Degenerate music''' is part of the wider spectrum of [[degenerate culture]], the purpose of it is to undermine the traditional culture of a peoples as part of the destabilisation template.
==History==
In the late 1800s, music halls, vaudevilles and cabarets were widely regarded as degenerate against the higher spirit of classical music and the authenticity of folkish music. The [[United States]] and the [[United Kingdom]] are infamous as well springs of degenerate music from the 20th century including jazz, pop music, disco, rap and hip hop. Much of this is inspired by or uses [[Negroes]], while the managers behind the scenes are usually [[Ashkenazi Jews]]. MTV of Sumner Redstone is a symbol of "American" cultureless degeneracy in music, infamous across the entire globe.

Jazz, which took the Western world by storm, following the First World War, was, in addition, amalgamated with Western music and mainstreamed into the world of serious music via the following composers, an inordinately high number of whom were Jewish: Kurt Weill, Darius Milhaud, George Gershwin, Bernhard Sekles, Maurice Ravel, [[Leonard Bernstein]], George Antheil, Aaron Copland, and Ernst Krenek.

Within the genre of serious music, degenerate trends were promulgated by one man: [[Arnold Schönberg]]. From his purported desire to "free dissonance" and to go beyond the "triteness" and "bankruptness" of tonality, he created atonal music or serialism. The tenets of this style include: lack of consonant intervals, excessive use of m2, TT, and other discordant intervals, lack of key, and a constant use of a tone-row (twelve pitches, avoiding consonant intervals, that are used in different, though formulaic, variations). This form of charlatanism, akin to the writings and thoughts of other Jews in different fields (Freud, Boas, Marx, et al.), created "weird" and "nerve-wracking" music. Again, a disproportionately large number of Jewish composers were involved in this movement: Rene Leibkowitz, Alban Berg,Anton Webern, Morton Feldman, Karlheinz Stockhausen, Hanns Eisler, Igor Stravinsky, Gyorgy Ligeti, etc.

After atonality or dodecaphonic music, came another school of modern music: minimalism. The three big names in this style are: Phillip Glass, Steve Reich, and [[John Adams]]. This decadent and insipid trend involves playing a serious of pitches in quick succession followed by a pitch-set that is slightly varied. All this is done with tandem repeats.

Recognizing the problem of degenerate music, Hans Severus Ziegler opened the exhibition "Degenerate music" in 1937 in Düsseldorf. Later, it was presented in Weimar, Munich and Vienna. Besides the Judeo-American-Negro phenomenon of jazz, serious music by composers such as [[Gustav Mahler]], [[Arnold Schönberg]] and of other Jews, as well as non-Jews, was presented as degenerate.

==Quotes==
* ''With magazines, with [[movies]], it’s always weird when things are targeted for young people yet they’re driven by people that are like 40 years too old. It can’t be like this 70-year-old [[Jewish]] man that doesn’t leave his desk all day, telling me what the clubs want to hear.'' – Degenerate music star Miley Cyrus<ref>[http://www.destroyzionism.com/2013/10/13/even-miley-cyrus-admits-jews-run-toxic-entertainment-industry/ destroyzionism.com] </ref><ref>[http://www.haaretz.com/jewish-world/jewish-world-news/1.551942 www.haaretz.com] </ref><ref>[http://www.hungertv.com/feature/interview-miley-cyrus/ www.hungertv.com]</ref>

==See Also==

*[[Hip-hop]]

==External links==
*[http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/The_Hidden_Jewish_History_of_Woodstock.shtml The Hidden Jewish History of Woodstock] at InterfaithFamily.com

==References==
{{reflist}}
[[Category:Music]]
[[Category:Degenerate culture]]

[[de:Entartete Musik]]